Funerary stele of Sentia Amarantis, a freedwoman shown drawing wine from a barrel—likely her daily work. Dedicated by her husband, Sentius Victor, after 17 years of marriage. 2nd–3rd century CE, Museo Nacional de Arte Romano, Mérida. Catalogue no. MNAR 676.
In the Roman city of Emerita Augusta—modern-day Mérida, Spain—archaeologists uncovered a remarkable tombstone. At first glance, it’s a simple funerary relief. But on closer inspection, it tells a vivid, personal story: not just of death, but of life.
Carved into the stone is the figure of a woman. Her body twists slightly as she reaches for a jug with one hand, while with the other she opens the spigot of a small barrel resting on a stand. She wears a tunic pulled tight at the waist and her hair is neatly tied up. This is Sentia Amarantis, a freedwoman whose daily work—perhaps running a modest tavern—is proudly shown beside her name.
The inscription, in slightly cursive Latin, tells us:
“To the spirits of the dead. For Sentia Amarantis, aged 45. Her husband, Sentius Victor, made this for his most beloved wife. They were married for 17 years.”
The upper part of the tombstone is shaped like a small marble temple, with curved ornaments and a semicircular pediment—clearly inspired by elite monuments, but rendered in a more modest, popular style. Scholars believe this adaptation reflects both the aspirations and the economic limitations of the couple—likely former slaves.
This gravestone doesn’t show a goddess or a myth. It shows a working woman, mid-action, remembered not through abstract virtues but through the gestures of her trade. The small barrel and jug, so carefully carved, speak of labor, routine, and care.
It is a quiet but powerful monument to everyday love, work, and dignity in the Roman world.
