Lampa, the Mystery Girl of Roman Mérida (Spain)

Marble relief of a naked female figure with the inscription “LAMPA” above her head. Found in Augusta Emerita (modern Mérida), 2nd–3rd century CE. Museo Nacional de Arte Romano, Mérida.

In a quiet gallery of the Museo Nacional de Arte Romano in Mérida, a small marble plaque draws the eye. A young naked female is carved into its surface, her posture elegant and reserved—one hand resting over her chest, the other hanging by her side. Modest in size and style, the relief seems classical, serene. But look closer, and the story deepens.

Above her head, in Greek letters, is a single word: LAMPA. Next to it, also in Greek, her age: thirteen.

From the start, scholars noted that the use of Greek—and the very young age—might suggest that this figure was not a goddess or an elite Roman matron, but a foreign girl. Some early interpretations proposed she was commemorated in death. But newer readings have shifted the focus.

The plaque was found in the necropolis of Augusta Emerita, reused in a later burial. Yet its original purpose may have been something else entirely. Her hairstyle matches that of Faustina the Elder, dating the image to the mid-2nd century CE. Her pose—nude, decorative, and non-mythological—aligns with known depictions of women linked to the world of Roman brothels, or lupanars.

The theory now gaining ground is that this relief once adorned the façade of a brothel, and that Lampa, whether her real name or not, represents one of the many young, likely enslaved, girls who worked within. The Greek language reinforces this possibility, as Greek was often used for names of non-citizens and enslaved people in Roman Hispania.

Whether Lampa was a specific girl or a symbolic name advertising youth and availability, the effect is haunting. She may have been only thirteen—an age etched into stone, but robbed of voice, context, and choice.

Today, she stands silent in marble. Not a goddess. Not a noblewoman. But a girl, remembered not through love or honor, but through commerce and objectification. A body preserved. A childhood lost.