France

The Meuse

The Meuse at Charny-sur-Meuse (France).

O timeless Meuse, flowing proud and free,
A ribbon of life through land and history.
From your highborn springs in Gaulish soil,
To the Dutch plains where your waters toil,
You carve a path both steady and bold,
A witness to stories long untold.
Through verdant valleys and mist-clad hills,
Your gentle current quietly thrills,
Whispering secrets of centuries past,
Of Roman ships and kingdoms vast.
You’ve seen the rise of empires grand,
And washed the feet of many a land.
In Ardennes’ heart, your waters gleam,
Reflecting the forest's ancient dream.
You wind through towns, both old and new,
Caressing citadels and skies so blue.
Namur and Liège you cradle with care,
A muse to artists, poets, and prayers.
Oh Meuse, your banks have borne the weight
Of battles fought and changing fate.
Yet still you flow, serene, unshaken,
By wars and times when hope was forsaken.
You carry on, through night and day,
A symbol of life’s eternal sway.
Barges float, and swans take flight,
Beneath your gaze, so calm, so bright.
You nurture fields and vineyards sweet,
And kiss the soil beneath our feet.
Oh Meuse, your waters pure and clear,
Bring peace and joy to all who are near.
So let us raise our voice in praise,
To you, dear Meuse, in endless ways.
For in your depths, we find our past,
And hope that nature’s gifts will last.
O mighty river, proud and true,
Our hearts, like your waters, belong to you.

The Apocalypse Tapestry, Château d’Angers, Angers (France)

The Apocalypse Tapestry.

The Apocalypse Tapestry, displayed in the Château d’Angers, is a monumental masterpiece of medieval art and one of the largest surviving tapestries from its era. Created between 1377 and 1382, it was commissioned by Louis I, Duke of Anjou, during the turbulent backdrop of the Hundred Years’ War (1337–1453). The tapestry intertwines the spiritual narrative of the Book of Revelation with the political anxieties and aspirations of its time, reflecting both religious themes and contemporary historical struggles.

The tapestry was conceived during a period of intense conflict. The Hundred Years’ War between England and France brought widespread devastation, with famine, plague, and social unrest exacerbating the turmoil. For Louis I, the tapestry served not only as an artistic commission but also as a political statement, asserting divine justice and the inevitability of triumph over chaos. By portraying the vivid apocalyptic imagery from the Bible, Louis aligned himself with the righteous forces of salvation, perhaps as a reflection of his faith and an appeal for divine favor in a fractured and uncertain world.

Originally spanning over 140 meters and consisting of 90 scenes, the tapestry illustrates the prophetic visions of Saint John as described in the Book of Revelation. Of these, 71 panels have survived, organized into six sections, each corresponding to major events and themes from the text.

The tapestry’s apocalyptic imagery resonated deeply with the struggles of the time. The Four Horsemen, for instance, could easily be interpreted as allegories for the war, pestilence, and famine ravaging France. The fall of Babylon, representing the punishment of evil, may have reflected contemporary hopes for divine vengeance against England. Meanwhile, the tapestry’s conclusion, showing the New Jerusalem, suggested optimism for eventual peace and restoration.

The Apocalypse Tapestry is a testament to the Gothic tradition of storytelling through art. Its intricate designs, vivid colors, and dramatic imagery captivated medieval audiences, serving both as a didactic tool and as a demonstration of Louis I’s wealth and piety. Its survival through centuries of neglect—often cut up and repurposed—underscores its enduring cultural value. Today, displayed in a specially designed gallery in the Château d’Angers, it continues to inspire awe, offering insights into the medieval mindset and the intertwined dynamics of faith, art, and history.

Three scenes explained (as examples):

The Seven Churches.

The Scene of the Seven Churches from the Apocalypse Tapestry of Angers illustrates the opening vision of the Book of Revelation, where Saint John addresses the seven churches of Asia Minor: Ephesus, Smyrna, Pergamum, Thyatira, Sardis, Philadelphia, and Laodicea. Representing real Christian communities in what is now modern Turkey, these churches are depicted as architectural structures, with Christ in divine majesty holding seven stars, symbolizing their angels. This scene conveys themes of divine authority, spiritual guidance, and the call to repentance, resonating with medieval audiences living through the turmoil of the Hundred Years’ War.

The Second Trumpet: The Shipwreck.

The Scene of the Second Trumpet: The Shipwreck from the Apocalypse Tapestry of Angers depicts a dramatic moment from the Book of Revelation, where the second angel sounds a trumpet, causing "something like a great mountain, burning with fire" to be cast into the sea. This event leads to the destruction of a third of the sea, its creatures, and ships, symbolizing divine judgment on commerce and human pride. The tapestry vividly captures the chaos of the scene, with detailed imagery of sinking ships and turbulent waters. For medieval audiences, this served as a stark reminder of the fragility of human endeavors under God’s judgment, resonating with their experiences of war and economic turmoil.

The Myriad Horsemen.

The Scene of the Myriad Horsemen vividly portrays a pivotal moment in the Book of Revelation, where an army of 200 million horsemen unleashes divine judgment upon the earth. These fearsome riders, described as agents of destruction, bring fire, smoke, and sulfur, symbolizing the devastating consequences of sin and divine retribution. The tapestry’s depiction emphasizes the overwhelming power of this apocalyptic force, with intricate details capturing the chaos and terror of the event.

Château d’Angers, Angers (France)

Château d’Angers.

Château d’Angers, located in the city of Angers in western France, is a remarkable fortress with a history dating back to the 9th century. Originally built as a defensive stronghold by the Counts of Anjou, it was transformed into its current imposing form in the 13th century under King Louis IX. Its 17 massive black-and-white striped towers and thick walls made it a key military bastion in medieval France.

Beyond its military role, the château is famous for housing the Apocalypse Tapestry, a monumental 14th-century artwork that vividly depicts scenes from the Book of Revelation. The castle also played a significant role during the Hundred Years' War and later as a residence and administrative center under various French rulers.

Today, the Château d’Angers stands as a symbol of the region’s rich history, blending medieval military architecture with artistic heritage, and continues to attract visitors fascinated by its dramatic past and cultural treasures.

Château Gaillard, Les Andelys (France)

Château Gaillard, Les Andelys (France).

Richard the Lionheart, known for his courage and strategic brilliance, was not only the king of England but also a warrior and an astute builder. One of his most ambitious architectural achievements was Château Gaillard, a formidable fortress overlooking the Seine River in Normandy. Constructed between 1196 and 1198, this castle was a testament to Richard's determination to protect his Norman territories from the encroaching French crown under King Philip II. Château Gaillard, often called "the Saucy Castle" due to Richard's own description of its defiance, was a marvel of medieval military architecture, blending innovative fortifications with natural landscape advantages to create an almost impenetrable stronghold.

Built at incredible speed, Château Gaillard incorporated advanced defensive techniques, including concentric walls, rounded towers, and strategic placements that made siege difficult. However, its significance extended beyond its structure; it symbolized Richard’s fervor for defending his lands and his legacy as a military leader. Though Richard died in 1199, the castle stood as a lasting reminder of his impact on both architecture and medieval warfare.

The Church Saint-Julien-et-Sainte-Basilisse, Jujols (France)

Église Saint-Julien et Sainte-Basilisse, Jujols (France).

The Église Saint-Julien-et-Sainte-Basilisse in Jujols, a picturesque village in the Haut-Conflent region of the Pyrénées-Orientales, is a remarkable example of Romanesque architecture shaped by centuries of history and adaptation. Perched on a mountain ridge with stunning views of the Têt Valley and the Canigou Massif, the church stands as a testament to the region’s architectural heritage and its resilience against natural and human challenges.

Originally built in the 11th century, the church reflects the early southern Romanesque style known as "Lombard." This is evident in features such as the apse, adorned with simple arcading and vertical lesenes, and its characteristic double-embrasure windows. The square bell tower, integral to the initial construction, once rose high above the church but has since been reduced in height due to partial collapses over the centuries. Together, the apse and the tower point to the church's origins as part of a cohesive Romanesque complex.

Throughout its history, the church has undergone significant modifications. A major reconstruction in the 13th or 14th century transformed much of the nave and added a side aisle, reflecting evolving architectural practices and the need for greater structural stability. These changes were likely necessitated by the region's geological challenges, including the devastating earthquake of 1426-1427. The reconstruction added thick walls, steep buttresses, and a side aisle to reinforce the building and protect it against future tremors.

One particularly fascinating aspect is the church's southern portal, which features a Romanesque design with two concentric semicircular arches, likely relocated during a reconstruction phase. The portal’s materials—a blend of granite, schist, and breccia—highlight the craftsmanship and resourcefulness of local builders.

Today, the Église Saint-Julien-et-Sainte-Basilisse offers visitors a glimpse into the layered history of Romanesque architecture in the Pyrenees. While its origins point to a modest 11th-century parish church, the building's many adaptations and reinforcements over the centuries tell a story of resilience, continuity, and the enduring importance of this sacred space to the village of Jujols. Its serene location and harmonious blend of architectural elements make it an essential site for those exploring the cultural and historical heritage of the Haut-Conflent region.

Interior of the Église Saint-Julien et Sainte-Basilisse, Jujols (France).

Saint-Julien et Sainte-Basilisse

Saint Julian and Saint Basilissa, also known as Julian of Antioch and Basilissa of Antioch, are early Christian martyrs venerated for their unwavering faith, charity, and commitment to God. They are believed to have lived in the 3rd or 4th century during a time of intense persecution under Roman emperors such as Diocletian or Maximian.

According to tradition, Julian and Basilissa were married but chose to dedicate their union to God through celibacy, transforming their home into a place of refuge and care for the sick, poor, and persecuted Christians. Basilissa managed the hospice they founded, while Julian ministered to their spiritual needs. Their charitable acts and devotion made them prominent figures in the Christian community of Antioch (modern-day Turkey).

When the Roman authorities began persecuting Christians, both saints were arrested. Basilissa is said to have died a martyr, possibly through torture or execution, while Julian endured horrific suffering, including being dragged through the streets, before his eventual martyrdom. Their steadfast faith inspired early Christian communities, and their story became a symbol of piety, charity, and courage.

The couple is often invoked as patrons of hospitality and caregivers, reflecting their life’s work. Their shared feast day is celebrated on January 6 or 9, and they are commemorated in various Christian traditions, particularly in the Western and Eastern Churches. Numerous churches, including the Église Saint-Julien-et-Sainte-Basilisse in Jujols, France, are dedicated to their memory, honoring their legacy of faith and love.

Saint-Jean-de-Côle (France)

Château de la Martonie, Saint-Jean-de-Côle (France).

Saint-Jean-de-Côle is a picturesque village nestled in the Périgord Vert region of southwestern France, renowned for its timeless charm and historical significance. The village, with its well-preserved medieval architecture and tranquil setting, offers a captivating glimpse into the rich heritage of the Dordogne department.

At the heart of Saint-Jean-de-Côle stands its remarkable church, the Église Saint-Jean-Baptiste. This beautiful Romanesque church, dating back to the 12th century, is celebrated for its architectural elegance and historical importance. The church features a striking façade adorned with intricate carvings, and its serene interior is characterized by a vaulted nave and an array of medieval artworks. The Église Saint-Jean-Baptiste not only serves as a place of worship but also as a testament to the village’s rich ecclesiastical history.

Another jewel of Saint-Jean-de-Côle is the Château de la Martonie, a grand medieval castle that commands attention with its imposing presence. Originally constructed in the 15th century, the Château de la Martonie has been meticulously restored to showcase its historical grandeur. The castle’s robust stone walls, elegant turrets, and surrounding gardens reflect its historical role as a fortified residence. The Château de la Martonie offers visitors a glimpse into the aristocratic lifestyle of the past, with its well-preserved architecture and picturesque surroundings adding to the allure of this historical gem.

Monsieur, Madame et le Chien

"Monsieur, Madame et le Chien" by Henri de Toulouse-Lautrec (1893) - Musée Toulouse-Lautrec (Albi, France).

"Monsieur, Madame et le Chien" by Henri de Toulouse-Lautrec is a notable example of the artist's work, blending his characteristic wit and observational skill with a sense of playful ambiguity. Painted in 1893, this piece reflects Lautrec's fascination with the human condition and the social dynamics of the Parisian bourgeoisie.

The artwork depicts a well-dressed couple seated together, accompanied by their small dog. "Monsieur" is stiffly posed, his expression one of detached indifference, while "Madame" appears more relaxed, with a sly, knowing smile. The little dog, placed at the woman's feet, gazes directly at the viewer, as if to invite interpretation. The scene captures the tension between formality and intimacy, a recurring theme in Lautrec’s exploration of human relationships.

Lautrec's inspiration for the painting came from his time spent observing Parisian society. While much of his work focused on the bohemian nightlife of Montmartre, this piece offers a satirical take on the conventions of the upper middle class. The dog serves as a humorous focal point, symbolizing loyalty, status, and perhaps even the unspoken dynamics of the couple's relationship.

The title itself adds a layer of irony. By equating the dog with "Monsieur" and "Madame," Lautrec gently mocks the pretensions of his subjects, suggesting that their carefully curated appearances and manners are as much a performance as the animal’s obedience.

The late 19th century was a time of social transformation in France, with increasing tensions between traditional values and modernity. Lautrec, an aristocrat by birth but a bohemian by choice, was keenly aware of these shifts. His works often blurred the line between affection and critique, portraying his subjects with both empathy and a sharp eye for their flaws.

This painting, while less provocative than some of his depictions of dancers and courtesans, still carries his signature irreverence. It subtly critiques the stiff, ritualized interactions of bourgeois couples, using humor to reveal the emotional distance that could exist behind the veneer of propriety.

"Monsieur, Madame et le Chien" remains a celebrated piece for its lighthearted yet incisive commentary on society. It highlights Lautrec’s genius in capturing complex human emotions within seemingly simple compositions, cementing his reputation as one of the most insightful artists of his time.

The Legend of Dame Carcas

Dame Carcas.

The legend of Dame Carcas is steeped in folklore, tying the city of Carcassonne (France) to a tale of resilience, cunning, and the enduring spirit of its people. To understand the context, we must step back into the time of Charlemagne and the Carolingian campaigns, a period marked by power struggles between the Christian Franks and various groups, including the Saracens (Muslim forces who had established themselves in parts of the Iberian Peninsula and southern France).

The Siege of Carcassonne

In the 8th century, Charlemagne—or, as some sources suggest, one of his predecessors, possibly his father Pepin the Short—marched south to expand Frankish control and push back Saracen rule. The fortress-city of Carcassonne, strategically located on the Aude River, became a critical target. It was a bastion of Saracen defense, fortified by walls that seemed impenetrable. Charlemagne’s army laid siege to the city, hoping to starve out its defenders and claim it as a key stronghold in his quest to secure southern Gaul.

The Heroism of Dame Carcas

The legend begins when the ruler of Carcassonne, a Saracen leader, is killed during the siege. His widow, Dame Carcas, takes command of the city’s defense. Her name is often thought to be derived from the Arabic ‘qarqash’, though this remains speculative. For five long years, she leads the people of Carcassonne, refusing to surrender despite the siege’s devastating toll. Charlemagne’s army encircles the city, waiting for hunger and desperation to force the inhabitants to capitulate.

As supplies dwindle, Dame Carcas devises a brilliant ruse. To give the illusion that the city is still thriving, she gathers the last grains of wheat and the only pig left alive within the walls. In a bold move, she has the pig fed the wheat and then hurled over the city’s walls into the besieging camp. When Charlemagne's troops see this, they believe Carcassonne still has abundant food stores and livestock to spare. Convinced that the city can withstand the siege indefinitely, the Frankish forces withdraw.

The Naming of Carcassonne

According to the legend, as the Frankish army departs, Dame Carcas orders the city’s bells to ring in celebration. Upon hearing the sound, someone in Charlemagne’s camp is said to have exclaimed, “Carcas sonne!”—“Carcas rings!” The phrase became immortalized as the city’s name, Carcassonne.

Historical Context and Symbolism

The tale of Dame Carcas, though almost certainly apocryphal, symbolizes the themes of cleverness, resistance, and the triumph of the underdog. Historically, the siege of Carcassonne may have been tied to the Frankish campaigns to consolidate their control over Aquitaine and Septimania, regions contested by Muslim and Christian forces. The city itself, with its imposing double walls and commanding position, became a lasting emblem of medieval fortification.

While there is little evidence that Dame Carcas ever existed, her story continues to resonate, capturing the spirit of Carcassonne as a place where history and myth intertwine, and where the echoes of defiance against overwhelming odds still ring through the ages.

Motorhome travel

Motorhome travel offers the freedom to explore the World at your own pace, embracing a lifestyle focused on experiences rather than possessions. While it comes with challenges like managing limited space and vehicle upkeep, it allows travelers to form a unique community and enjoy a life of adventure and discovery.

How a slave became a Queen at the Merovingian Court

A statue of Saint/Queen Bathilde in the Saint-Peter Church of Corbie.

Queen Bathilde, also known as Saint Bathilde, was a significant figure in Merovingian France during the 7th century. Born around 626 AD, likely of Anglo-Saxon origin, she was initially enslaved and brought to the Frankish court. Through her intelligence and grace, she captured the attention of King Clovis II of Neustria and Burgundy, whom she eventually married, rising from slavery to royalty. As queen, Bathilde was known for her humility, piety, and dedication to social reform. She championed the abolition of Christian slavery and supported the establishment of monasteries, which would become centers of learning and charity. After her husband's death, she served as regent for her young son, King Clotaire III, guiding the kingdom with a wise and just hand. Later canonized as a saint, Bathilde's legacy lives on in the history of the church and in the social reforms she enacted, earning her a place of reverence in French and Christian history.

A snapshot of life in 2024 (from Vernet-les-Bains, Pyrenees, France)

A snapshot of life in 2024 (from Vernet-les-Bains, Pyrenees, France).

On this terrace in Vernet-les-Bains (Pyrenees, France), next to the Saturday market, people gather for their morning coffee. It’s mid-November 2024, and the crisp mountain air carries the quiet hum of voices. Conversations flow easily, meandering between the personal and the political, the local and the global.

Some discuss the daily challenges of life: the relentless rise in the cost of living, the strain of making ends meet, or the recent health struggles of a friend or family member. Others delve into broader concerns, sharing stories of the torrential rains that battered Valencia, leaving behind tales of destruction and worry. Climate change looms over their words like a shadow, its presence undeniable and unnerving.

Inevitably, talk turns to the ongoing wars—Ukraine, Gaza—conflicts that feel both distant and uncomfortably close. How, some wonder aloud, can such violence persist in a world that seems to have learned so little from history? There's a sense of helplessness in their questions, mingled with frustration at leaders who seem disconnected from the struggles of ordinary people. Also the topic “President Macron” comes by. He was once a figure of promise for some, but is now met with shrugs and sharp critiques; his policies, many feel, have left rural communities like theirs behind.

Yet, amidst these weighty topics, a lighter subject emerges, offering a sense of relief. Someone suggests heading into the mountains next Saturday to hunt wild boars. The idea sparks smiles and nods, a collective agreement to momentarily escape the complexities of modern life. The thought of trekking through the cool, pine-scented forests, rifles slung over shoulders, feels grounding. It’s a return to a simpler, more primal connection with nature—and perhaps, to each other.

Here, on this terrace in Vernet-les-Bains, the world’s troubles blend with its small joys, creating a snapshot of life in 2024: full of worry, but not without hope.

The Abbey of Corbie (France)

Abbey Saint-Pierre of Corbie (France).

The Abbey of Corbie, founded in 657 AD by Queen Bathilde (and supported by her husband, King Clovis II), was one of the most influential Benedictine monasteries in medieval Europe. Located in northern France, the abbey quickly became a center of learning, culture, and religious life. It played a crucial role during the Carolingian Renaissance, helping to preserve ancient manuscripts and sending out missionaries across Europe. Through its scriptorium, the abbey became a guardian of knowledge, safeguarding texts that might otherwise have been lost during the early medieval period.

The Abbey Church of Saint-Pierre, originally built in the 9th century, stands as a testament to this rich history. The church, once the central structure of the abbey, is a stunning Gothic building. Over the centuries, it has been reconstructed several times, having endured fires and wars. Today, only about one-third of its original length remains. However, visitors can still admire its impressive facade, towering vaults, and intricate furnishings, which hint at the abbey's former grandeur. The church’s architecture reflects the immense influence of Corbie in its time, both spiritually and culturally.

Unfortunately, the abbey's prominence came to an end with the French Revolution, when it was closed in August 1790, sold off as national property, and eventually demolished. Despite this, the surviving church remains a key historical site. Visitors can explore not only the remnants of the abbey but also the museum in Corbie, which delves into the rich history of both the abbey and the town itself.

In short, the Abbey of Corbie stands as a powerful reminder of the role monastic communities played in shaping medieval European intellectual and spiritual life, with its surviving church offering a glimpse into this important past.

Corbie Abbey in 1677, image taken from the "Monasticon Gallicanum".

Saint-Émilion

A view on the medieval city of Saint-Émilion.

Nestled among the vineyards of Bordeaux, France, lies Saint-Émilion, a charming village exuding timeless beauty. Its cobblestone streets, adorned with flowers, wind through ancient stone buildings, offering breathtaking views of the surrounding vineyards.

Strolling through Saint-Émilion, we discovered charming cafes, and boutiques. And although it was December, we enjoyed beautiful spring-like weather. The village invites visitors to explore catacombs, sample renowned wines, or simply enjoy leisurely afternoons in the town square. Saint-Émilion is a place where time seems to pause, enveloping every moment in magic and wonder.

Alsace's Culinary Delights

A shopwindow with Alsatian specialties in Ribeauville (France).

The Alsace region in northeastern France is renowned for its rich culinary heritage, blending French and German influences to create a unique and flavorful cuisine. Known for hearty dishes and exquisite wines, Alsace offers a wide array of delicacies that reflect its diverse history and deep-rooted gastronomic traditions.

One of the most famous Alsatian specialties is choucroute garnie, a dish of fermented cabbage (sauerkraut) typically served with a variety of meats such as sausages, pork knuckles, and bacon. Another iconic dish is flammekueche (or tarte flambée), a thin, crispy flatbread topped with crème fraîche, onions, and lardons, resembling a pizza.

Alsace is also celebrated for its foie gras, a delicacy made from the liver of a fattened duck or goose, which is often served as a luxurious appetizer. Baeckeoffe, a hearty casserole of marinated meats (pork, beef, and lamb) slow-cooked with potatoes, onions, and white wine, is another traditional dish that showcases the region's love for comforting, slow-cooked meals.

Alsace’s wines, particularly Riesling and Gewürztraminer, pair perfectly with these regional dishes, adding a refreshing balance to the rich flavors of the cuisine. From savory meats to delicate pastries like the spiced pain d’épices (gingerbread), Alsace’s delicacies offer a taste of the region’s history and traditions, making it a gastronomic treasure of France.

Les Compagnons du Devoir et du Tour de France

Students from Les Compagnons du Devoir et du Tour de France (Metz, 2024)

Les Compagnons du Devoir et du Tour de France is a renowned French organization focused on training craftsmen through a tradition of apprenticeship and mobility. The association allows young men and women to learn trades such as carpentry, masonry, leatherwork, and baking while traveling across France and internationally. It promotes values like solidarity and skill-sharing, vital to French cultural heritage. Since 2010, the guild has been included in the UNESCO register of intangible cultural heritage.

During our visit to Metz, we met students from this institute who were mastering diverse crafts, representing the living legacy of France's artisanal history.

For more, visit their website (Les Compagnons du Devoir).

Laon (France)

Laon, situated in the Hauts-de-France region of northern France, has a rich and storied history dating back to ancient times. Founded by the Gauls, it later became an important Roman settlement known as Augusta Viromanduorum. However, Laon truly rose to prominence during the medieval period as a key political and religious center.

In the early Middle Ages, Laon became the capital of the powerful Carolingian dynasty under Charlemagne's rule. The city prospered as an important administrative, cultural, and economic hub. It was during this time that Laon Cathedral, a masterpiece of Gothic architecture, was constructed atop the city's imposing hill, dominating the skyline and symbolizing the city's importance.

Throughout the medieval period, Laon remained a significant player in the political landscape of France. It served as a royal residence and hosted several important ecclesiastical councils. The city was also a center of learning and scholarship, with its renowned cathedral school attracting students and scholars from far and wide.

In the 12th century, Laon became embroiled in the power struggles between the French monarchy and various noble families. The city witnessed numerous sieges and battles, including the famous Battle of Laon in 1112, which saw King Louis VI of France defeat an alliance of rebellious barons.

Despite its tumultuous history, Laon continued to thrive as a center of commerce and craftsmanship. Its textile industry, in particular, flourished, contributing to the city's prosperity.

During the Renaissance, Laon experienced a period of cultural and artistic renewal, with the cathedral and other historic buildings undergoing restoration and embellishment.

In the centuries that followed, Laon endured periods of decline and resurgence, but it remained an important regional center. Today, Laon retains much of its medieval charm, with its well-preserved old town, imposing ramparts, and stunning cathedral drawing visitors from around the world. The city's rich history and architectural heritage continue to captivate and inspire all who visit.

The Basilica of Sainte-Thérèse in Lisieux (France)

The Basilica of Sainte-Thérèse in Lisieux is a prominent Catholic pilgrimage site located in the town of Lisieux, Normandy, France. Constructed in honor of Saint Thérèse of Lisieux (1873 - 1897), also known as the "Little Flower," the basilica serves as a place of reverence and devotion for believers from around the world.

Designed by architect Louis Marie Cordonnier, construction of the basilica began in 1929 and was completed in 1954. The basilica's architectural style is neo-Byzantine, characterized by its towering spires, intricate mosaics, and vibrant stained glass windows. Its grandeur reflects the profound impact of Saint Thérèse's spirituality and teachings on the Catholic faithful.

Inside the basilica, visitors are greeted by a serene atmosphere filled with the scent of incense and the soft murmur of prayers. The sanctuary houses relics of Saint Thérèse, including her remains, and serves as a place of pilgrimage for those seeking healing, guidance, and spiritual renewal.

The Basilica of Sainte-Thérèse stands as a symbol of the enduring legacy of Saint Thérèse and her "little way" of love and simplicity. It continues to attract pilgrims and tourists alike, offering a sacred space for reflection, prayer, and encounter with the divine.

Jeanne d'Arc - Joan of Arc

Jeanne d’Arc on horseback, Vaucouleurs.

Jeanne d'Arc (Joan of Arc; 1412 - 1431) was born in Domrémy, France, in 1412. She emerged as a pivotal figure during the Hundred Years' War between France and England. Jeanne was raised in a devout Catholic family and from a young age, she claimed to experience divine visions and heard voices urging her to support the French crown and expel the English from France.

In 1429, at the age of just 17, Jeanne convinced Charles VII, the uncrowned Dauphin of France, to allow her to lead a French army to break the Siege of Orléans. She wielded considerable influence over military strategies and inspired the troops with her fervor and faith. Under her guidance, the French forces achieved a series of crucial victories, including the liberation of Orléans, which marked a turning point in the war.

Jeanne's military successes continued, and she played a key role in securing Charles VII's coronation at Reims in 1429, cementing his legitimacy as the rightful king of France. However, her fortunes changed when she was captured by the Burgundians, allies of the English, in 1430. She was subsequently handed over to the English and subjected to a politically motivated trial led by ecclesiastical authorities. In 1431, at the age of 19, Jeanne was unjustly convicted of heresy and burned at the stake in Rouen.

Despite her tragic end, Jeanne d'Arc's legacy endured. In 1456, she was posthumously declared innocent by an inquisitorial court, and in 1920, she was canonized as a saint by the Catholic Church. Jeanne's bravery, conviction, and unwavering commitment to her visions made her a symbol of French unity and resistance against foreign oppression. She remains an enduring icon in French history, revered for her courage and determination in the face of adversity, and her importance to France as a national heroine cannot be overstated.

A postcard representing Jeanne d’Arc’s birth house and the church where she was baptized in Domrémy-la-Pucelle.

The Mystic Mill, Vézelay (France)

In the Basilica of Saint Mary Magdalene in Vézelay, many column capitals are decorated with depictions of Christian stories. The representation shown in this picture visualizes the story of the Mystic Mill. It depicts two figures. One pours grain into a mill, and the other collects the processed flour in a bag. The image is unique in Romanesque sculpture and does not seem to depict any known biblical story. However, a stained glass window in the Abbey of Saint-Denis (France), created around 1140, identifies the figures in this representation as Moses and Saint Paul. This identification helps understand the image as an allegory of the transformation of the Old Laws from the Old Testament to the New Laws of the New Testament. The cross within the mill-wheel symbolizes the transformation process of the mill and Christ's journey to the cross.